Representation Of The Oedipus Complexes - 1905 Words

Representation of The Oedipus Complexes in Un Chien Andalou (1929) Un Chien Andalou (1929) was the first masterpiece of surrealism directed by one of the greatest Spanish director Luis Buà ±uel and the renowned surrealist painter Salvador Dalà ­. The Mise-en-scene of the film was striking in the era of its establishment and even nowadays, the film actually aimed to create no rational meanings, said by Bunuel (1983). Its major inspiration came from their dreams. Due to the film’s resemblance with dreaming, I found its visual representation coincidently matches Freud’s concept of the Oedipus complex, in a metaphorical manner. Sigmund Freud introduced the Oedipus Complex in his Interpretation of Dreams (1900). According to Freud (1900), Oedipus complex occurs in between three to six years old, during the third stage of a child’s sexual-psycho development, the phallic stage. In this stage, the genitals become their primary source of pleasure, and gender identification would develop. The child would have sexual desire of the parent of their opposite sex. The complexes will then arouse the child’s rivalry with the same-sex parent, and it is believed both boys and girls would experience the complex, and the castration fear and penis envy followed the complex. In Un Chien Andalou, there are scenes that could be viewed as an illustration of the concept. The relationship between the theory and the film is demonstrated as follows. Relationship between Un Chien Andalou (1929) and Freud’sShow MoreRelatedWilly Loman as a Tragic Hero in Arthur Millers Death of a Salesman1218 Words   |  5 Pagesprinces, idea. Although Shakespeare tends to follow this pattern; his education may have led him to lesser liberal thinking. Miller believes it may also include the modern common man. To relate Loman to the likes of Lear, Hamlet, Oedipus, directly would be ludicrous but some comparisons can be made. 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